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Insight Spring, 2004

 

MOMENTS IN THE SUN

By Kenneth Gholston

 

In celebration of  Black History Month and the life of Rev. Dr. Martin Luther King Jr., Studio Arena Theatre and Housing Opportunities Made Equal recently collaborated on a series of events to coincide with Studio Arena’s  production of the play A Raisin In the Sun by Lorraine Hansberry.

 Kicking off the series was Housing Opportunities Made Equal’s Fair Housing Workshop, held January 12, 2004 in the Theatre’s Studio Left Lounge.

The evening began with a stirring presentation by HOME’s Community Education Specialist Anne Huiner which gave an overview of fair housing history from 1939 to the present.

The year 1939 was chosen because that was the year Lorraine Hansberry’s father went all the way to the Supreme Court to challenge the restrictive covenants which governed nearly 80% of Chicago’s neighborhoods.

Ms. Huiner began her talk by reading from a letter sent by Ms. Hansberry, to the New York Times in April of 1964. The excerpt from the letter painfully illustrates the fight for civil rights and the author’s own family’s struggle.

 “The fact that my father and the NAACP ‘won’ a Supreme Court decision…is--ironically--the sort of ‘progress’ our satisfied friends allude to when they presume to deride the more radical means of struggle. The cost, in emotional turmoil, time and money, which led to my father’s early death as a permanently embittered exile in a foreign country when he saw that after such sacrificial efforts the Negroes of Chicago were as ghetto-locked as ever, does not seem to figure in their calculations.”

As the above quote indicates, Ms. Hansberry’s personal history gave her insight into the pain caused when people are denied their right to fair housing. This quote made it clear that the marriage between this ground breaking play and the on-going struggle for equality in housing a natural one.

During the workshop, the crowd learned that although the Hansberrys won their case, restrictive covenants were not found to be unconstitutional until another case, originating in Detroit was decided.  That case was McGhee v. Sipes, and Mr. McGhee’s case was handled by a young African-American lawyer named Thurgood Marshall. (Ironically enough, the niece of plaintiff Orsel McGhee is an active member of HOME).

In spite of these two victories,  by 1959, the year Raisin in the Sun was first produced on Broadway, the only law which protected the freedom of housing choice was the Civil Rights Act of 1866, and that law was rarely enforced. It was not until 1968 when, in honor of Rev. Dr. Martin Luther King Jr., Congress passed the Fair Housing Act.

Sadly, it came 10 years after the play was published and three years after the death of Lorraine Hansberry.

A performance by the HOME players followed the talk demonstrating the impact of housing discrimination today. The scenario, entitled “Already been” featured actors Kimberly Campbell, Pam Snyder and Daire Brian Irwin.

The history of fair housing was reinforced visually with a display showing highlights of history of HOME and the struggle for Fair Housing in Western New York.  The display, which remained up in the State Left Lounge for the entire run of the production, illustrated that while we still have a long way to go to achieve fair housing for all, we have come a long way.  Ms. Huiner’s talk encouraged the audience to remember that they too can and should be a part of civil rights history.

In addition to the series of workshops, the education departments of Studio Arena and HOME collaborated on a study guide for young audiences learning about the play.  The guides gave information about the life of Ms. Hansberry and background about the play.  HOME contributed an introduction to fair housing and discussion questions around the issues of  civil rights and fair housing as they related to the play.

A special thank you goes to Studio Arena Theatre’s Manager of Educational Outreach Peter Maier and Director of Marketing Bil Schroder, whose tireless efforts made this collaboration possible.

 
 
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